Galerie Poll

Norbert Wagenbrett

unfug — Fri, 16 Jul 2010 13:39:59 +0000

Norbert Wagenbrett prefers to call his paintings rather images than portraits, because they cross the margins of common portraiture and reflect more than visible features. For Wagenbrett the painting does not mean a reproduction of a person in another kind of material, it becomes another being - “the other self”, which merges during the process of creation with his emotions, fantasy, creativity and his specific technique and owns thus a part of him. The artist puts this “other self” in an own surrounding by not only focusing the face and the chest of a person, but also expanding the image space to the knees and sometimes even to the whole body. In this way he can also exhibit the environment of the shown persons, can put it in an ambiance and can allocate attributes to them, which are references of their uniqueness and particularity.
Norbert Wagenbrett lives and works in Leipzig.

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Technique: oil on canvas, 150 x 100 cm

Upper row (from left to right): “The Game” (Das Spiel) 1998), In the Bathroom (Im Bad) 1998, “In the City” (In der Stadt) 2000, In the Undergroung (In der Straßenbahn) 2001

Lower row (from left to right): ”Couple with Tulip” (Paar mit Tulpe) 2002, “In the Cinestar” (Im Cinestar) 2006, “Young Woman with Pearl Curtain” (Junge Frau mit Perlenvorhang) 2009, “Woman with Angel’s Trumpet” (Frau mit Engelstrompeten) 2009

Time Channel 1-4 (Zeitfurche 1-4), 1992, lithograph, 65,5 x 50 cm

Click here to see further artworks of Norbert Wagenbrett!

Arno Mohr’s Centenary and Sabina Grzimek

unfug — Wed, 19 May 2010 11:54:00 +0000

This year would have been the 100th birthday of Arno Mohr. Every-day themes and thin lines are distinctive aesthetic properties of this chronicler of Berlin. In the German capital he found many of his typical subjects: people in streets and parks, in backyards and bars, but also many of his models for his well-known portraits, for example the artists Brecht, Weigel and Eisler. A reductive technique was his strength: few marginal lines were sufficient to fix the essential content as Arno Mohr was a keen observer. His credo was: “In life as in art one should focus the main issue”. Sabina Grzimek, once his student at the Academy of Art in Berlin-Weißensee, is first of all well-known as sculptor. Terms like figurative or realistic do not describe her kind of work well enough . She does not only copy outwardnesses or simply external beauty. She is mostly interested in examination of hidden things and those, that are not easily perceptible. Arno Mohr and Sabina Grzimek have in common the capacity to direct the attention to what is essential. Galerie Poll shows paintings, drawings, pictures and sculptures and delivers insight into the extensive work of both artists.


Arno Mohr: Woman at a Window (Frau am Fenster),1996, oil on canvas, 80 x 100 cm	Arno Mohr: Amusement Park (Rummelplatz), oil on canvas, 80 x 100 cm	Arno Mohr: Concert Evening (Konzertabend), 1996, oil on canvas, 80 x 100 cm

Arno Mohr: Family Music (Hausmusik), 1991, colour litograph, signed, 31,6 x 41 cm	Arno Mohr: Brecht, 1963, etching, signed; 52 x 37,7 cm	Arno Mohr: Brecht and Eisler, undated, etching, 19,5 x 26,6 cm

Sabina Grzimek: Self-Portrait, 1964-1998, bronze, 0/6, 31 x 24 x 24,5 cm	Sabina Grzimek: Rider of Weinheim (Weinheimer Reiterin), 1994, bronze, 4/6, 62,5 x 17 x 52 cm	Sabina Grzimek: Arno Mohr, 3. version, 1999, terracotta, unique copy, h. 37,5 cm
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Sabina Grzimek: Draft of Mildred Scheel (Entwurf Mildred Scheel), 2009, bronze, 1/22, h. 51,5 cm	Sabina Grzimek: Bozetti (1) und (2), Mildred Scheel, 2009, bronze, 1/22, h. 22 und 23 cm	Sabina Grzimek: Head Mildred Scheel, 2009/10, plaster, h. 67 cm

Click here to see further artworks of Arno Mohr

Click here to see further artworks of Sabina Grzimek

Pictures of the opening

Dieter Kraemer

unfug — Tue, 09 Feb 2010 14:46:44 +0000


Fish Soup (Fischsuppe), 2010, oil on canvas 67 x 110 cm	Kitchen Still Life (Küchenstilleben), 1999, oil on canvas, 60 x 115 cm	Baguette and Fried Egg (Baguette und Spiegelei), 1999, oil on canvas, 35 x 65 cm

Quai de la Tournelle, 1972, oil on canvas, 135 x 140 cm	Tree Alteburger Street (Baum Alteburger Straße), 1971, oil on canvas, 150 x 160 cm	Marlboro, 1976, water color, 20 x 18,5 cm

Click here to see more artworks

Pictures of the opening

Jenö Gindl

unfug — Tue, 01 Dec 2009 11:37:47 +0000

From “black stream #21″, 2006, ca. 90 x 190 cm, platinum print on Japanese paper

From “black stream #22″, 2006, ca. 90 x 190 cm, platinum print on Japanese paper

Series “Neues Museum (Berlin)”

Neues Museum, 1992, 50 x 40 cm, Color print, Passepartout	Neues Museum, 1992, 50 x 40 cm, Color print, Passepartout	Neues Museum, 1992, 50 x 40 cm, Color print, Passepartout

Neues Museum, 1992, 50 x 40 cm, Color print, Passepartout	Neues Museum, 1992, 50 x 40 cm, Color print, Passepartout	Neues Museum, 1992, 50 x 40 cm, Color print, Passepartout

Neues Museum, 1992, 50 x 40 cm, Color print, Passepartout	Neues Museum, 1992, 50 x 40 cm, Color print, Passepartout	Neues Museum, 1992, 50 x 40 cm, Color print, Passepartout

Neues Museum, 1992, 50 x 40 cm, Color print, Passepartout	Neues Museum, 1992, 50 x 40 cm, Color print, Passepartout

Mehr als Gegenwart. Auf Papier - 1929-2009

unfug — Thu, 20 Aug 2009 15:34:48 +0000

Kuhn, Hans: Grün-Rosa blass, 1969,

Gouache auf Papier,29,2 x 22 cm

Kettner, Gerhard: Thomas, 1971,

Bleistift auf Bütten, 50,7 x 42,2 cm

Dichgans, Christa: In der Großstadt, 1990,

Pastell auf Papier, 70 x 50 cm

Stelzmann, Volker: Drei Männer, 2005,

Kreide, Tusche und Acryl auf Papier, 57 x 39 cm

Will McBride

admin — Thu, 14 May 2009 10:34:02 +0000

Love Parade, Berlin 2002,
Öl auf Leinwand, 300 x 200 cm

Punks, Berlin 2003,
Öl auf Leinwand (dreiteilig),
290 x 250 cm

Magazine Double Page, Berlin 2001,
Öl auf Leinwand, 130 x 180 cm

Playroom Killing, Berlin 2004,
Öl auf Leinwand, 250 x 170 cm

War Games, Berlin 2001,
Öl auf Leinwand, 180 x 200 cm

Two Men Approaching, Berlin 2000,
Öl auf Leinwand, 100 x 150 cm

Jungs in Benauer Straße, Berlin,

nach 1961

Jungs in Steglitzer Hinterhof,

Berlin, 1959

Arles, 1975

www.will-mcbride-art.com.

Christine Jackob-Marks

unfug — Tue, 07 Apr 2009 15:28:49 +0000

Ohne Titel, 2008,

Mischtechnik auf Leinwand,

160 x 130 cm

Ohne Titel, 2008,

Mischtechnik auf Leinwand,

180 x 160 cm

Ohne Titel, 2008,

Mischtechnik auf Leinwand,

100 x 80 cm

Ohne Titel, 2008,

Mischtechnik auf Leinwand,

160 x 130 cm

Ohne Titel, 2007,

Mischtechnik auf Leinwand,

180 x 160 cm

Ohne Titel, 2008,

Mischtechnik auf Leinwand,

160 x 130 cm

Art Fairs

unfug — Fri, 20 Mar 2009 14:12:30 +0000

art KARLSRUHE 2010

International art fair for modern and contemporary art.

4 - 7 March 2010

Galerie Poll is represented within ART FROM BERLIN by presenting the One-Artist-Show:

Jenö Gindl
Photography

art KARLSRUHE 2009

International art fair for modern and contemporary art.

5 - 8 March 2009

Have a look at a selection of the represented artists and artworks here:

art Karlsruhe 2008

28 February - 2 March 2008

LiberBerlin 2007

9. - 11.11.2007

4. Berliner Kunstsalon 2007

29.11. - 2.10.2007

3. Berliner Kunstsalon

28.9. - 2.10.2006

LiberBerlin

3. - 5. November 2005

Art Cologne

28.10. - 1.11.2005

Sergio Vacchi

unfug — Mon, 02 Feb 2009 12:50:00 +0000

Marlene Dietrich, 1992
Öl und Lack auf Leinwand
68 x 58 cm

Ritratto di Federico Fellini, 1999

Öl und Lack auf Leinwand
80 x 68 cm

Giorgio Strehler, 2000
Öl auf Leinwand
70 x 50 cm

Charlot, 2008
Lack und Metallfarbe auf Karton
70 x 50 cm

Ecco Marlene, 2001
Lack und Metallfarbe auf Leinwand
120 x 80 cm

Addio a Marlon, 2004
Lack und Metallfarbe auf Karton
130 x 101 cm

Hommage à Waldemar Grzimek (1918-1984)

unfug — Mon, 10 Nov 2008 09:51:55 +0000